Heritage Gallery Fine Art & Framing

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Vancouver

16020 SE Mill Plain Blvd

view map and directions

(360) 576-7558

Open Tues - Sat
11am to 7pm

Or by appointment

 

Cannon Beach

224 North Hemlock, Suite 1

Cannon Beach, OR 97110

Open Daily 10am - 6pm

(503) 436-0844

(877) 999-0844

 

“Cannon Beach - Your Art Destination”

 

A Premier Greenwich Workshop Fine Art Studio

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A Listing Member of
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Visit www.cannon-beach.net - Complete Guide to Cannon Beach

Greenwich Workshop

Since 1972, The Greenwich Workshop has been the publishing company of choice for discriminating collectors, artists and art and framing galleries. The Greenwich Workshop has a legacy of creating limited edition fine art of unsurpassed quality and integrity.

What is a Greenwich Workshop Fine Art Limited Edition?

The Greenwich Workshop produces only the best fine art limited editions your money can buy. A Greenwich Workshop Fine Art Limited Edition print or canvas is one in a series of high quality reproductions produced to our exacting standards, and created from the artist's original artwork. The number reproduced is strictly limited. Each print is inspected and signed by the artist, then consecutively numbered, giving each an individual identity and The Greenwich Workshop's assurance of quality.

For more information about the Greenwich Workshop, view the Frequently Asked Questions on their website.


William Phillips

Sunset Festivities
Sunset Festivities
(exclusive to Heritage Gallery)

Aviation was my first artistic love, but my true, enduring love remains my Christian faith, home and family. So it is my pleasure to combine all of it in my work. The historical aviation subjects, I research; the contemporary and nostalgic subjects, I live.

Phillips grew up loving art but never thought he could make it his livelihood. At college he majored in criminology, and he had been accepted into law school when four of his paintings were sold at an airport restaurant. That was all the incentive he needed to begin his work as a fine art painter.

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Liz Lemon Swindle

Liz Lemon Swindle has a deep, abiding faith that she feels blessed to share through her art. A lifelong Utah resident, she studied fine arts at Utah State University. She worked for several years as a set designer and painter for the Osmond Studios television production company. As her family grew (she and her husband Jon Swindle today have five children), she saw the need for a more flexible career and decided to focus on oil painting.

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Morgan Weistling

The Egg Inspector
The Egg Inspector

Morgan Weistling began his artistic training on his father’s lap at 19 months of age, where he learned how to draw and more importantly, use his imagination. Capitalizing on his father’s talent for telling a story in comic strip form, Morgan began to develop a sense of narrative in his drawing. “It was here that art became a language for me.”

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Steve Hanks

Although teachers often cited his artistic ability, Steve Hanks’ main interest while growing up around San Francisco was sports. As a young teenager, Hanks pursued surfing and tennis with passion. He eventually tired of a steady diet of competitive tennis, but continued to surf, finding a spiritual connection with the ocean. “Surfing had a strong influence on my paintings,” he says. “The ocean often appears in my work, because I have such strong feelings for it.” Although it was apparent early on that he had talent, Hanks refused to do the required assignments in his high school art class and earned a grade of C in the class. “To prove I was good, I did a one-man show at the high school and sold my first painting to another art teacher,” he says.

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James Christensen

James C. Christensen

Inspired by the world’s myths, fables and tales of imagination, James C. Christensen wants his work to add up to more than a beautiful – if sometimes “curious” looking work of art. Having taught art professionally for over 20 years, he likes to think of the world as his classroom. His hope is that through whatever he creates-be it a porcelain, fine art print or book-he can convey a message, inspiration or a simple laugh. He believes that teaching people to use their imagination helps us find solutions to sooth the stresses of everyday life-or get a little lift to help us keep going. In short: all things are possible when you share Christensen’s philosophy that “Believing is Seeing.” Christensen was born in 1942 and raised in Culver City, California. He studied painting at Brigham Young University and, for a while, the University of California at Los Angeles before finishing his formal education at BYU. Since then, he has had one-man shows in the West and the Northeast and his work is prized in collections throughout the U.S. and Europe.

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