Heritage Gallery Fine Art & Framing

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Vancouver

16020 SE Mill Plain Blvd

view map and directions

(360) 576-7558

Open Tues - Sat
11am to 7pm

Or by appointment

 

Cannon Beach

224 North Hemlock, Suite 1

Cannon Beach, OR 97110

Open Daily 10am - 6pm

(503) 436-0844

(877) 999-0844

 

“Cannon Beach - Your Art Destination”

 

A Premier Greenwich Workshop Fine Art Studio

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A Listing Member of
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Visit www.cannon-beach.net - Complete Guide to Cannon Beach

Featured Art


Cassandra Barney Originals – Spring Unveiling 2011

Thank you to everyone who attended the Cannon Beach Spring Unveiling last weekend! We really enjoyed having Cassandra again and she brought several beautiful new originals with her. Some of these will only be at our gallery until May 21st (noted below with *), so please contact us soon if you are interested in any of these.

They Threw Roses At Her Feet

* They Threw Roses At Her Feet, $5,999, 30″ x 54″

Idalia

Idalia, $2,200, 15″ x 28″

Farmer's Daughter

Farmer’s Daughter, $2,200, 15″ x 22″

Paladin

* Paladin, $3,200, 27″ x 22″

She Had Everything She Needed

She Had Everything She Needed, $2,499, 13″ x 21″

With Her Heart Full of Love, She Sat Quietly and Listened

With Her Heart Full of Love, She Sat Quietly and Listened, $2,400, 15″ x 22″

Little Secrets

Little Secrets, $2,200, 15″ x 22″

Golden Butter Cream Cake, Strawberry Maria, Bitter Sweet Royale Tort

(clockwise from top)
Golden Butter Cream Cake, $399, 6 1/2″ x 8 1/2″
Bitter Sweet Royale Torte, $399, 6 1/2″ x 8 1/2″
Strawberry Maria, $399, 6 1/2″ x 8 1/2″

Her Home Was A Sanctuary

* Her Home Was A Sanctuary, $2,400, 16″ x 22″

* Only available at Heritage Gallery until May 21st.

William Phillips Originals

We are pleased to offer you several William Phillips’ Originals in our Cannon Beach gallery. (Click images to zoom.)

Please contact us for pricing and availability.

Angels of Mercy
Best Seat in the House
Fuel State Critical - Outcome in Doubt
Returning Fire
The Heavens Proclaim His Glory

James Christensen – Benediction

James Christensen - Benediction

Dear Art Collector,

“The words coming out of this angel’s mouth are purposely provocative and designed to make you wonder ‘What does that mean?’ asks artist James C. Christensen. “It’s Latin, beatus est
pisciculus,
meaning “Blessed is the little fish.” Floating fish symbolize the magic all around us and they are blessed little things themselves, to bring this magic into our lives. Is the angel blessing the fish or the fish blessing the angel? The fish is a symbol I frequently use and this painting was meant as my ‘thank-you’ for a lot of the magic in my life.”

Christensen’s original painting is 36×48 inches. The Greenwich Workshop Anniversary Edition is released in two sizes, a very limited quantity at a major-statement size of 40 x 30, and also at 24 x 18 inches. The blessing of Benediction works beautifully at either size.


Sincerely,
Dann Jennings
Owner
Heritage Gallery Fine Art & Framing
(503) 436-0844

Benediction

Benediction
by James C. Christensen

MasterWork™
Greenwich Workshop Fine Art Anniversary Giclée Canvas:
Edition not to exceed 50, signed by the artist.

40"w x 30"h (unstretched).
$995

Greenwich Workshop Fine Art Anniversary Giclée Canvas:
Edition not to exceed 300, signed by the artist.
24"w x 18"h.

$495

Reserve your copy today.

All artwork ©Respective Artists ©The Greenwich Workshop®, Inc.

Bev Doolittle – The Arrival


Greenwich Workshop Fine Art Giclée Paper
limited to 2500 s/n. 35"w x 6"h.
$345

It seems that with every artist there are works that manage to make it into private collections before they are properly documented. Some of these can, in hindsight, be rather important ones. They are known to exist, but their whereabouts are a mystery. As is often the case, in time, they somehow, some way, someday reappear.

Bev painted The Arrival in 1977 and sold it through the Carson Gallery in Denver, Colorado, her originals distributor at that time. The work’s trail ended there. Long thought lost, the painting was recently rediscovered! In the thirty-year period since its rendering, Bev has produced fifty Fine Art Editions, as well as seven books and folios of collected works, all published by The Greenwich Workshop. Until now, The Arrival remained elusive.

Available in print for the very first time, it is one of the earliest works featuring the rendering style for which Bev has become renowned. Storytelling is a hallmark of nearly all of her compositions and The Arrival is no exception. The palette and design are instantly recognizable. Both are in service of the eponymous “Doolittle narrative” which has shaped the artist’s reputation.

Storytelling through design is the hallmark of any Bev Doolittle work and The Arrival is no exception. There is no escaping the implication of a “storm on the horizon.” Those dark clouds immediately bring to mind the Native American experience in North America. This is storytelling through design at its finest.

The Arrival will be reproduced with an eye towards tradition but with the most up-to-date technology. This Fine Art Gilcée will be created on the highest quality Hahnemuhle German Etching fine art textured paper. Deckled edges allow for either a traditional or floating presentation of the framed image.

The Arrival ©Bev Doolittle® ©The Greenwich Workshop®, Inc. All rights reserved.

Toward the Setting Sun

Toward the Setting Sun
Toward the Setting Sun
by
William S. Phillips
A Greenwich Workshop Personal Commission™ Print
27"h x 26"w.
$395 (unframed)

Now is the time to commission your print to be countersigned by the
surviving members of Doolittle’s Raiders attending the 68th Reunion at Wright Patterson AFB in Dayton, Ohio, April 16-18.

With this, the sixth release of artist William S. Phillips’ series on the Doolittle Raiders, the artist and the surviving members of the Raid pay homage the Navy’s role in the legendary raid on Japan. Sending two United States aircraft carriers to the coast of Japan in 1942 was a risk of the highest order for a fleet, and a nation, still reeling from Japan’s string of victories in the Pacific. The USS Hornet, loaded with the 16 B-25s (all that could be shipped) which would strike the Japanese mainland in the “Halsey-Doolittle Raid,” steams eastward as part of Vice Admiral Halsey’s Task Force 16. The SBD Scout Bombers circling above would have been members of VS-6 flying from the USS Enterprise.

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